Not every actor needs the spotlight to make an impact. Patrick Adiarte, who died Tuesday at 82, built a remarkable career through memorable supporting roles and dazzling dance numbers rather than leading man parts. To generations of viewers, he remains frozen in time as Ho-Jon from early MAS*H episodes, but his contributions to entertainment ran much deeper.
Adiarte’s life began like an adventure novel – born in wartime Manila, surviving imprisonment, then immigrating to America where his natural talents flourished. By age eight, he was performing on Broadway in “The King and I,” beginning a six-decade career that would see him work with entertainment legends. His transition to film in the 1956 movie version showed Hollywood his potential.
Though MAS*H brought him his widest recognition, Adiarte’s dance skills earned him the most respect from peers. Gene Kelly’s on-air praise (“the next Fred Astaire”) wasn’t empty flattery – their televised dance sequences revealed Adiarte’s precision and grace. These talents served him well in musical films like “Flower Drum Song” and comedy roles opposite stars like Bing Crosby.
In later years, Adiarte transitioned from performer to teacher, ensuring another generation learned the techniques of classic Hollywood dance. His story – from war refugee to working actor to respected mentor – embodies the quiet dignity he brought to every role, especially that beloved MAS*H houseboy who helped launch one of TV’s greatest series.
